Artwork by Lorraine Whelan . . .

Sticks, 2017

This is an "accordion" book, such that the full image can be seen if/when the book is fully open. The prints were pulled at home using a converted pasta machine press. The texture on the front cover of the book was created using a bark stamp directly pressed into the clay prior to firing.

  • edition of 10
  • ceramic stoneware covers, approximately 14 cm x 14 cm x .25 cm
  • intaglio print on handmade acid-free Indian rag (Khadi) paper, 210 g/m2
  • print image size is approximately 9 cm x 35 cm
  • background folded page acid-free Fabriano Tiziana Crema, 160 g/m2
  • unfolded size approximately 79 cm (including covers)

I was born in Toronto, Canada into a large Irish immigrant family. Shortly after obtaining my primary degree in 1986, I moved to Ireland to where my parents and half my siblings had already returned.

My writing (poetry, art criticism & commentary, fiction) has been published in Ireland, Canada, USA, Luxembourg & online.

I have exhibited my artwork throughout Ireland in both solo and group exhibitions and have exhibited in group exhibitions in France, China and Canada. I have participated in artist residencies and symposia and my work is included in private (US, Canada, Australia, UK & Belgium) and in public/corporate collections (Microsoft WPGI, OPW, HSE, Tyrone Guthrie Centre, Europol & IBM).

For over 25 years I have created bodies of work that are inspired and challenged by my environment and circumstances, which are regularly in flux. The study and analysis of dreams played a large part in much of my early work and the development of dream imagery informs much of my personal iconography used in both visual and verbal work.

I have worked on projects in response to a specific brief, site, concept, or combination of these. I am fascinated with the immediacy of temporary work yet equally interested in archives and permanence. While I usually consider myself primarily a painter, I love to experience and experiment with any manner of media. I freely use any media for purpose to suit an idea, which is the paramount consideration.

Over the past few years I have been re-exploring print techniques and ceramics and amalgamating these skills with my long time interest in bookbinding to create both unique and limited edition artist books.

I believe that it is through the expression of individual responses to life circumstances that wider truths can be discovered and understood.

I am an artist. I am here. I remember. I draw. I write. I tell stories.